But lists alone could not steady the world. There were nights when Lena would walk the city and press her palms to cold brick, asking whether desire had any ethics when survival was a ledger you could not balance. In the marketplace the old names were hushed; in the factories, half the machines lay silent. The economy of longing pressed against the economy of the state and both were hungry.
How do our inner lives shape our outer world?
Take a notebook. Title it “My Desires – Raw.”
Today, the query suffix points directly to how modern cinephiles access this film. The video hosting capabilities of Ok.ru (Odnoklassniki) have turned the platform into a sanctuary for bootleg transfers, rare VHS rips, and forgotten arthouse titles from the late-Soviet and early post-Soviet republics. Private archivists and regional film clubs regularly upload these low-resolution transfers to preserve Central Asian cinema history, making Ok.ru one of the few places where Identifikatsiya Zhelanij can still be viewed.
This cinematic artifact emerged during a turbulent geopolitical transition following the collapse of the Soviet Union. Today, it survives primarily through digital archival preservation on retro cinema forums and niche video streaming groups. What is Identifikatsiya Zhelanij (1992)? Identifikatsiya Zhelanij -1992- Ok.ru-
For researchers of post-Soviet psychology, esoteric video collectors, and nostalgia hunters, few search queries are as tantalizing yet frustrating as
Instead of chasing a phantom, watch the readily available and historically confirmed 1991 Soviet documentary "Kak zhit?" (How to Live?) or read Yuri Orlov’s "Samopoznanie i Samovospitanie Kharaktera" (1987). They will give you the same 1990s psychological flavor—without the dead links.
The film focuses on the protagonist, whose life is altered when he discovers his ability to make his desires a reality. The film delves into the moral, ethical, and personal dilemmas that come with such power. As the protagonist navigates his new life, he is forced to confront the consequences of his actions and the true nature of his desires. The film explores several key themes, including: The nature of desire: What do we truly want?
Идентификация желаний. Identifikatsiya zhelanij. 1992, драма, комедия. Таджикистан, 58 мин, 18+. Оценить. Буду смотреть. Добавить. Кинопоиск But lists alone could not steady the world
Sharof Khabibov, Dshamol Dadadshanov, Sandjar Khamidov, Latif Sobirov, Roza Khaydarova February 15, 1992 (Berlin Film Festival) Runtime 58 minutes Production Countries Tajikistan, Kazakhstan Genre Socio-psychological drama, Arthouse comedy-drama The Dark and Uncompromising Plot
It is classified as a drama with elements of comedy, carrying an 18+ rating due to its mature subject matter. Cast and Creative Team
The movie brought together notable regional talents, many of whom faced career disruptions due to the outbreak of the Tajikistani Civil War shortly after the film's release. Contribution Tolib Khamidov Brought a gritty, localized vision to the script. Composed by Ahmad Bakaev Created an unsettling, atmospheric synth-heavy score. Lead Actor Sharof Khabibov Anchored the intense psychological drama among the teens. Lead Actor Dzhamol Dadadzhanov Portrayed the volatile, conflicted teenage dynamic. Supporting Cast
Ok.ru arrived like a rumor. Not the social network it would later become, but a makeshift bulletin board—a room in a telecentre, a whispered handle on a cracked modem. People logged on awkwardly, typing with two fingers, their Cyrillic halting and incandescent. They used pseudonyms like talismans: ZolotoRuki, Noch, DvaShaga. For Lena and the others, the virtual room was a place to post lists of wants—small, enormous, ridiculous, sacred—and watch them caught, refracted, replied to. The economy of longing pressed against the economy
The narrative explores themes of moral decay and the loss of youthful innocence:
Thus: after identifying a true desire, you must commit a within 3 days (e.g., buy one tool for a craft, tell one person your real preference).
The year 1992 was a highly volatile period for regional cinema. Following the dissolution of the Soviet Union in late 1991, state-funded cinema departments collapsed overnight.