|work| - Ma Folie 2015
The film was a significant entry in modern Austrian cinema, featuring in the Innovative Film Austria reports and winning the First Steps Award for Best Full-Length Feature Film.
The film was produced by Lukas Stepanik, Ursula Wolschlager, and Robert Buchschwenter. Principal photography took place on location in Vienna and Paris. The atmosphere is further amplified by the haunting score composed by Peter Kutin and Scott McCloud. The cinematography by Gerald Kerkletz, a Diagonale Award winner, visually captures the story's shift from warmth to cold, clinical terror.
Ma Folie 2015 promises to be an unforgettable experience, offering something for everyone. With its diverse range of activities, performances, and exhibits, this event is not to be missed. By following this guide, you will be well-prepared to make the most of your participation and create lasting memories.
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The visual narrative usually follows a toxic romance: a couple fighting in a car, the artist walking alone at night, and a final shot of the protagonist staring at a blank phone screen. It was moody, it was atmospheric, and it perfectly encapsulated the feeling of being "madly" in love with someone who wasn't good for you.
What makes Ma Folie so compelling is its refusal to rely on cheap horror tropes or physical violence. The terror in the film is entirely psychological. Mračnikar skillfully explores the phenomenon of gaslighting and emotional manipulation. As Yann’s digital footprints and relentless messages continue to infiltrate Hanna's life, her grip on reality—and her trust in her own sanity—begins to waver. The film brilliantly asks the question: Character Depth and Stellar Performances
At its core, the 2015 film asks: How well can we truly know another person? It explores the malleability of identity—how easily a persona can be constructed and believed. Accolades and Reception The film was a significant entry in modern
Won the First Steps Award 2015 for Best Feature Film .
However, the film's tone shifts dramatically when Yann, driven by intense mistrust, leaves Hanna but refuses to leave her alone. His once-charming video messages become a source of terror, trapping Hanna in a waking nightmare where she can no longer trust anyone—not even herself. What started as a passionate amour fou gradually descends into a complex psychological thriller, dealing with themes of perception, trust, and delusion.
The film begins in France, where Hanna, a Viennese woman on holiday, meets Yann. Their connection is immediate, intense, and intoxicating. When Hanna returns home to Vienna, their long-distance bond is kept alive through lettres filmées —poetic, short video diaries that Yann records on his iPhone and sends to her. The atmosphere is further amplified by the haunting
Currently, "Ma Folie" is available on several streaming and rental platforms internationally. You can find it on:
The most innovative element of Ma Folie is its use of smartphones as narrative framing devices. Mračnikar uses these low-fidelity video letters to raise several distinct thematic points:
The narrative revolves around Hanna and Yann, a young couple whose intense connection is initially painted in vibrant, romantic strokes. Hanna, a capable and grounded aspiring architect, is deeply in love with Yann, a charismatic and artistic man. Their relationship is uniquely characterized by "video-letters"—poetic, intimate short films and messages that Yann records on his mobile phone and sends to her.
The narrative is built around these video letters, which evolve from romantic gestures into psychological weapons. As the film progresses, the distinction between external reality and Hanna’s internal perception begins to blur. When Yann supposedly disappears, his continued digital presence through these videos forces Hanna to question her own sanity and the motives of those around her. Themes and Cinematic Style