York Audio: Ftwn 212 D120 -wav- !new!
For massive stereo widening, pan the FTWN 212 D120 hard left and pair it with a darker, more mid-heavy IR (like a 4x12 Greenback) on the right.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
Deep, tight bass response that handles low frequencies without becoming muddy.
“I’ve tried 20 different Twin IRs. The York D120 is the only one that actually sounds like my real 1965 Twin Reverb with JBLs. It’s uncanny.” – TGP User “ToneChaser66”
York Audio's founder and primary engineer, Justin York, describes the sound of the FTWN 212 D120 as nothing short of stunning. Its tonal profile can be broken down into three key frequency ranges: York Audio FTWN 212 D120 -WAV-
While these IRs are inherently dialed-in, you can shape them even further:
The York Audio FTWN 212 D120 -WAV- is a state-of-the-art audio system that combines innovative technology with superior craftsmanship. This system is designed to deliver unparalleled sound quality, making it an ideal solution for a wide range of applications, from professional recording studios to home theaters and high-end audio setups.
Captures authentic acoustic decay (automatically truncates on limited hardware). Raw & Minimum Phase Transform (MPT)
When you load the FTWN 212 D120 IRs, the first thing you notice is the . Vintage JBL D120F speakers are incredibly responsive, and that snappy velocity transfers perfectly into these digital files. Clean Tones For massive stereo widening, pan the FTWN 212
Design and build
Every file included in the pack is meticulously engineered to offer maximum compatibility across hardware and software platforms: High-resolution uncompressed .WAV .
FullRes length Room L and R captures specifically for Fractal Audio users seeking an "Amp in the Room" experience.
Captured using 11 different microphones, including the Shure SM57 (modern and vintage), Sennheiser MD421, and Telefunken U47. If you share with third parties, their policies apply
Complex and slightly scooped yet highly articulate.
In essence, this pack is a pristine, multi-microphone capture of a specific, highly sought-after guitar cabinet: a Fender Twin Reverb combo’s speaker section, loaded with not just any JBLs, but what many consider the holy grail of clean-tone speakers—the D120.
is praised for its , articulate yet slightly scooped midrange, and sparkling treble.
For players who prefer a plug-and-play workflow over auditioning over a hundred individual mic files, the pack includes . These mixes are engineered by ear to blend different microphone characteristics, eliminating phase alignment issues.
The true "secret weapon" of this specific cabinet configuration is the pair of original JBL D120F speakers. Highly sought after by collectors and tone purists, these speakers are famous for:
