Dynamically adjusts the EQ to add deep bass or high-frequency sheen.

: Increases stereo separation using a multiband compressor to widen the soundstage without causing phase cancellation. Go to product viewer dialog for this item. Angry Audio StereoToolBox FM/HD1 Audio Processor

This is where the "fullness" is created. A standard 2-band or 3-band setup can sound muddy. For a modern, commercial sound, utilize a .

If you’re actually requesting a for the Stereo Tool developers, I can help phrase it clearly for the Thimeo forum or support email.

Stereo Tool is a powerhouse, but its complexity is its greatest challenge. A professional-grade "full" preset provides several immediate benefits:

This guide breaks down how to choose, configure, and optimize a complete Stereo Tool preset for maximum loudness, clarity, and punch. Why a "Full" Preset Matters

A "full" preset refers to a configuration file (.sts) that utilizes the entire processing chain within Stereo Tool. Instead of just adjusting volume, a complete preset manages your audio from the input stage all the way to the final transmitter or encoder output.

Use to dynamically track and boost the low frequencies without overloading the system.

| Section | Parameter | Value | Why? | | :--- | :--- | :--- | :--- | | | Gain Staging | -6 dB | Headroom for the chaos to come. | | | Phase Correlation Target | -0.3 (Red zone) | Intentionally lets the bass wander. | | WIDTH | Stereoize Mode | Haas (Variable) | Not a simple delay—modulates from 12ms to 35ms. | | | Cross-feed | 70% | Creates a tunnel effect. | | | Center Shift | -15% Left | Unsettles the listener’s equilibrium. | | DYNAMICS | Multi-band Compressor | Band 1 (0-120Hz): 4:1, slow attack Band 4 (8k+): 1.2:1, fast release | Keeps the kick solid while letting the air shimmer like broken glass. | | WOW/FLUTTER | Depth | 42% | Simulates warped vinyl… but only in the right channel. | | | Rate | 0.33 Hz | So slow you don't notice it; you just feel seasick. | | SPATIAL | Crosstalk Cancellation | Inverted | Removes the “phantom center.” Vocals escape to the sides. | | | Air Enhancer | 18 kHz, +6 dB, Q=8 | Adds a barely-ultrasonic sheen that triggers tinnitus in dogs. | | LIMITER | Ceiling | -1 dB True Peak | Safety net. | | | Style | “Glue & Grit” | Soft-clips transients into a warm, fuzzy edge. |

This is a to creating a full, master-ready Stereo Tool preset — from scratch — covering every critical module. The goal: a polished, competitive loudness, controlled dynamics, dense but clear stereo field, and minimal artifacts.

If you are streaming at lower bitrates (AAC/MP3), avoid overly aggressive multiband compression, as it makes the spectrum "fuller" and harder for codecs to compress efficiently.

Here is a comprehensive breakdown of what makes a complete Stereo Tool preset work, how to optimize the software’s core modules, and how to build a signature sound that competes with hardware processors costing thousands of dollars. What is a Stereo Tool "Full Preset"?

If your source material is already compressed (e.g., modern pop music), select a preset with lighter dynamics processing. If it's dynamic (e.g., classical), choose a stronger compression preset. Conclusion

24 dB/octave (Linkwitz‑Riley) to avoid phase issues.

Toggle the (Bypass) on and off.

Some full presets are tuned for 44.1kHz. If you run at 48kHz, the filter frequencies shift. Fix: Re-load the preset after changing the sample rate, or stick to 44.1kHz.