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It is the track that catapulted the band from Los Angeles indie darlings to international recognition. Used famously in the film Boyhood and heavily featured in Parenthood , "Hero" is a masterclass in restraint. In an era where indie rock was often synonymous with heavy reverb and crashing cymbals, Family of the Year stripped it back.
Commercially, the album was a solid success for an indie band. It sold and peaked at No. 23 on the Billboard Folk Album chart in April 2013. The band's profile was further elevated by glowing features in major outlets like Rolling Stone and NME, with even actor Russell Crowe tweeting his support for "Hero".
On a warm summer evening in 2012, the Loma Vista Community Association held its annual awards ceremony. The Smiths, along with several other nominees, were recognized for their outstanding contributions to the community. As the envelope was opened, and the winner was announced, the room erupted in applause. The Smiths had been chosen as the Family of the Year, and they were overwhelmed with emotion.
The album solidified its reputation by peaking at #35 on Billboard's Top Heatseekers Chart, confirming its status as a "hot" rising indie record. Legacy of the 2012 Era family of the year loma vista 2012 hot
It’s an album that perfectly captured the "hipster-folk" aesthetic popular in the early 2010s, but elevated it with genuinely strong songwriting and infectious, sing-along choruses. If you are looking for an album that feels like a warm hug and a sunny day in LA, Loma Vista is still the place to go.
Loma Vista marked a significant evolution for the band, comprised of brothers Joseph Keefe (vocals/guitar) and Sebastian Keefe (drums), along with Jamesy Buckey (guitar) and Christina Schroeter (keyboards).
Loma Vista is the second studio album by the Los Angeles-based indie folk-rock band Family of the Year , released on July 10, 2012 . The album served as their major-label debut under Nettwerk Records and is widely known for its breakout single, " Album Overview It is the track that catapulted the band
: Media outlets like AllMusic described the record as an "earnest and entirely unpretentious" blend of modern alt-rock with classic 70s singer-songwriter influences like James Taylor and Jackson Browne. Other reviewers at DIY Magazine noted its infectious cheerfulness, comparing its sound to the Beach Boys and early 2010s peers like Mumford & Sons.
Jules carried a crate of vinyls across his shoulder, records sticking to his shirt from sweat. He tapped the top record—sun-faded, barely legible—like it was a metronome. "Hot enough for a new record to melt," he said. His laugh took the heat and made it into something softer.
And that, more than any chart position or viral moment, is what makes it . Commercially, the album was a solid success for
The album's title, Loma Vista , refers to the street where the band's shared house and practice space were located during the writing process.
It is a "happy beach-infused album, all Californian and shiny bright". One critic famously advised listeners to "get outside, fire up the barbecue, put shades and this record on and make musical hay while the sun shines," admitting that once autumn comes, you might not remember to listen to it until the following year. This seasonal quality is a testament to how effectively the album captures a specific, visceral feeling of escapism and joy. The band itself acknowledged this, though they were quick to add that tracks like the more melancholic "Everytime" and "Hey Ma" might feel just right for a dreary winter, too.
Released on , Loma Vista by Family of the Year stands as a defining hallmark of the early-2010s indie folk and indie pop explosion. Emerging from the sun-drenched landscape of Los Angeles, California, the sophomore studio album propelled the band from underground local favorites to a globally recognized name. Driven by an infectious blend of acoustic instrumentation, sprawling West Coast vocal harmonies, and raw emotional vulnerability, the record remains an iconic time capsule of a golden era in modern indie music. The Genesis of the Album